History and Culture of Amateur Theatre in Australia
1970-2000

1970-2000

Through the lens of artistic individualism this is a study of an artist's life experiences, style and personal vision as shown in the creative work featuring authenticity and originality over conformity to trends or societal expectations.
The study aims to highlight the artist's values, creating something distinctly one's own, and fostering a deeper connection with others through a genuine and unique perspective.
As Grele (2010) says oral history is about autobiographical practice rather than a social survey technique, for it recovers the past and through doing so challenges historical knowledge. It also expands the meaning of history. It is a shift from a concern with data to a concern with text.
Compiled from oral histories recorded in 2025 this study examines the work of creative artists discussing their lives making creative work on the margins of Australian theatre from 1970 to 2000. The study is an initiative off Robyn Roylance for her PHD submission.

International researcher, lecturer, director, writer, performer

Queensland pro-Am performer, public servant

Queensland secondary teacher, playwright, performer, musician

Queensland, business entrepreneur, computer scientist, student theatre actor

Tasmanian vsual artist, curator, TAFE teacher, International artist in paper making, museum curator.
Robyn and Madonna discuss working together in student theatre in the 1970s. At that time amateur theatre was an important part of teacher education and part of the push for professional theatre funded by government. Madonna became A/Prof Madonna Stinson with Griffith University. Robyn Roylance ran her own pro-am theatre company in Brisbane and Hobart. Through theatre each expressed their unique vision of personal creative work.
Between 1970 and 2000 Cameron's valued theatre work that focused on justice and compassion. At the end of the twentieth century he acknowledged a sense of pessimism and disillusionment.
Mark Moore talks about navigating challenges, exploring ways of self expression, and his unique voice. He examines his work in amateur theatre and discusses his participating in different mediums, subjects and ideas.
Deian Ping shares her joy of musica theatre, currently holidng the position of Artistic Director of Queensland Musical Society.Her discussion focuses on the role of producer and director, with a discussion of directing choices that highlight her interest in spirituality.
Anne and Sharon from Piccolo Productions describe their interest in entertainment and music education for young people. Their entreprenurial vision has shaped their work in musical theatre.
Scott Tuffnell talks about his enjoyment of theatre and provides examples of this. His movement into gaming is of interest.
Dr Kevin Franklin discusses his passion for working as a psychodramatist in Perth, Western Australia.
Leonie Oakes is a visual artist who, from an early age, was drawn to the self-expression that the creative arts offered. She provides insight into working with artists of excellence and international tastes.
A collaborative project by Robyn Roylance and Red Thread Stories, at the Queensland Theatre Company's Rehearsal Rooms, Brisbane
Musical Work by Anne Roylance and Sharonlee Martin
Deian Ping and Queensland Musical Theatre
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